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- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :Sela Ward (Dr. Lucy Hall), Dash Mihok (Jason Evans), Jake Gyllenhaal (Sam Hall), Jay O. Sanders (Frank Harris), Tamlyn Tomita (Janet Tokada), Mimi Kuzyk (Secretary of State), Austin Nichols (J.D.), Glenn Plummer (Luther), Japanese Astronaut), Adrian Lester (Simon), Nestor Serrano (Gomez), Russian Astronaut), Dennis Quaid (Jack Hall), Arjay Smith (Brian Parks), Sasha Roiz (Parker), Kenneth Welsh (Vice President Becker), Carl Alacchi (Venezuelan Delegate), Kenneth Moskow (Bob), Richard Zeman (Flight Director), Russell Yuen (Hideki, Michel 'Gish' Abou-Samah (Saudi Translator), John Maclaren (Veteran Scientist), Ian Holm (Terry Rapson), Perry King (President Blake), Christian Tessier (Aaron), Emmy Rossum (Laura Chapman), Christopher Britton (Vorsteen), Nassim Sharara (Saudi Delegate), Vitali Makarov (Yuri
0319262
The Day After Tomorrow die bessere film von ausgeschieden Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, Verwendung Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und Beste mit Schauspielern.
Sie sind fast nur beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in besten Blick Videoformat knowning, dass es sollte freigegeben als Teil Ihres Land. Kauf Ihrer Favoriten sofort movie, große Auswahl drücken Knopfdruck! während der Verwendung uneingeschränkt Kapazität Bandbreite und Inhalte zu streamen, zu beobachten was Sie träumen, wann du willst!
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Modeling : Yoshiya Yamada, Executive Visual Effects Producer : Marc Sadeghi, Transportation Captain : John Bober, Production Sound Mixer : Douglas J. Schulman, Camera Operator : Peter Hutchison, Makeup Effects : Adrien Morot, Unit Manager : Paul Boutin, I/O Supervisor : Ryan Beadle, Stand In : Martin Brisebois, Digital Producer : Andra Bard, Color Timer : Michael Eaves, Set Designer : Frédéric Amblard, Lighting Supervisor : Chris Wells, Loader : Amelie Duceppe, Special Effects Supervisor : Louis Craig, Set Designer : Hugo Santiago, Construction Foreman : Eric Lafrance, Hairstylist : Réjean Forget, Costume Coordinator : Lyse Pomerleau, Local Casting : Cate Praggastis, Sequence Leads : Jason Iversen, Visual Effects Editor : Nicolas Anastassiou, Visual Effects Art Director : Alexander Laurant, Visual Effects Supervisor : Conny Fauser, Orchestrator : Frank Bennett, Set Designer : Alex Touikan, Costume Design : Renée April, Visual Effects : Diane Macke, Visual Effects Coordinator : Erica Headley, Gaffer : Logan Leabo, Visual Effects Editor : Michael Cavanaugh, Best Boy Electric : Edison Jackson, Executive In Charge Of Production : Vanessa R. Jordan, ADR & Dubbing : Derek Casari, Associate Producer : Lawrence Inglee, Construction Coordinator : Michel Brochu, Leadman : David M. Milstien, Matchmove Supervisor : Alia Agha, Visual Effects Producer : Raoul Bolognini, Visual Effects Producer : Michael Meagher, ADR Editor : Kerry Dean Williams, Camera Operator : Alfonso Maiorana, Camera Technician : Steven J. Winslow, Rigging Grip : Richard Complaisance, Key Grip : Marc Andrus, Set Dresser : Louis Dandonneau, Carpenter : Jane Kilkenny, Location Manager : Lily Flaschner, Set Designer : Stephanie Gilliam, Unit Production Manager : Joe Dishner, First Assistant Director : Kim H. Winther, Stunt Coordinator : Branko Racki, Co-Producer : Thomas M. Hammel, Author : Roland Emmerich, Sound Mixer : David O. Daniel, Production Illustrator : Michael Meier, Animation Supervisor : Danny Gordon Taylor, First Assistant Editor : Quincy Z. Gunderson, Unit Publicist : Joe Everett, Makeup Effects : Sylvania Yau, Steadicam Operator : Francois Archambault, Assistant Property Master : Eric Bardin, Negative Cutter : Gary Burritt, Set Designer : Vincent Gingras-Liberali, Editor : David Brenner, Dolly Grip : Alain Masse, Second Assistant Director : Erik Ajduk, Boom Operator : Timothy P. Salmon, Property Master : Claire Alary, Hairstylist : Sandy DeBlasio, Craft Service : Chris Winn, Key Costumer : Valerie T. O'Brien, Set Designer : Caroline Alder, Associate Producer : Kim H. Winther, Finance : Linda Strause, Transportation Coordinator : Javier Gunther, Camera Operator : Bill O'Drobinak, Art Department Coordinator : Nancy A. King, Sound Re-Recording Mixer : Doug Hemphill, Key Makeup Artist : Kathryn Casault, Property Master : Denis Hamel, Set Decoration : Victor J. Zolfo, Visual Effects : Kristen Branan, Assistant Production Coordinator : Guylaine Boucher, Construction Coordinator : Alain Brochu, CG Supervisor : Hans Uhlig, Script Supervisor : Kim Berner, Conductor : Blake Neely, Supervising Sound Editor : Larry Kemp, Casting Associate : Scott David, 3D Supervisor : Rina Strause, Music Editor : Bob Beher, Third Assistant Director : Paul Drouin, Sound Designer : Ann Scibelli, Camera Loader : Charlie Newberry, Visual Effects Supervisor : Rocco Passionino, Production Accountant : Manon Lapointe, Key Hair Stylist : Janis Clark, Visual Effects Producer : Petra Holtorf, Sound Designer : Randy Kelley, Production Manager : Daniel Auclair, Original Music Composer : Thomas Wanker, Makeup Artist : Sharon Ilson, Storyboard : Timothy Burgard, Helicopter Camera : Steve Hertler, Art Direction : Martin Gendron, Dialogue Editor : James Matheny, Producer : Roland Emmerich, Makeup Artist : Elisabeth Fry, Digital Compositors : Sean Apple, Costume Supervisor : Kenn Smiley, Second Unit Cinematographer : Anna Foerster, Stunts : Marcello Bezina, Visual Effects Supervisor : Greg Anderson, Video Assist Operator : Julie Garceau, Special Effects : Neil Corbould, Set Decoration : Paul Hotte, Post Production Assistant : Jeff Schweikart, Technical Supervisor : Irfan Celik, Roto Supervisor : Stephanie Taubert, Set Costumer : Arlynn Abseck, Camera Operator : Georgia Packard, Visual Effects Producer : Jody Echegaray, Rigging Gaffer : Frank Dorowsky, 3D Artist : Zack Judson, Visual Effects : Michael Leung, Art Department Assistant : Una Martin, Executive Producer : Stephanie Germain, Visual Effects Supervisor : Richard Britton, Propmaker : Patrice Jacques, Lighting Artist : David B. Menkes, Lighting Technician : Stéphane Byl, Art Direction : Michele Laliberte, Steadicam Operator : Gary L. Camp, Set Designer : Steve Cooper, Visual Effects Producer : Mike Chambers, Makeup Effects : C.J. Goldman, Painter : Gloria Ciraolo, Camera Operator : Eric Goethals, Author : Jeffrey Nachmanoff, Stunt Coordinator : Charlie Brewer, Still Photographer : Kerry Hayes, Sculptor : Lucie Fournier, Camera Operator : Francois Archambault, Line Producer : Tavin Marin Titus, Chief Lighting Technician : Jean Courteau, Post Production Supervisor : Jeffrey Harlacker, CG Supervisor : Sean Andrew Faden, CG Supervisor : Andrew Waisler, Sound Engineer : John Bires, Casting : Andrea Kenyon, Construction Coordinator : Rejean Brochu, Sound Recordist : Chris Walmer, Producer : Mark Gordon, Supervising Sound Editor : Mark P. Stoeckinger, Creature Technical Director : Vijay Myneni, Director of Photography : Ueli Steiger, First Assistant Camera : Michel Bernier, Art Direction : Réal Proulx, Director : Roland Emmerich, Techno Crane Operator : Richard Boucher, Dialogue Editor : Daniel S. Irwin, Digital Intermediate : Lorene Simpson, Set Decoration Buyer : Stacy Weddington, Rigging Gaffer : Gilles Fortier, Sound Recordist : Tim Gomillion, Costume Supervisor : Robert Q. Mathews, Casting : Randi Wells, CG Supervisor : Dagan Potter, Visual Effects Supervisor : Remo Balcells, Utility Stunts : Nick Brandon, Visual Effects Producer : Todd Isroelit, Production Coordinator : Danielle Boucher, Set Production Assistant : Mariana Acuña Acosta, First Assistant Editor : Robert Berman, Pilot : Al Cerullo, Music Editor : Emanuele Arnone, Sound Effects Editor : Michael Kamper, Visual Effects Supervisor : Greg Strause, Second Unit Cinematographer : Tom Yatsko, Sculptor : Andrew Semple, 24 Frame Playback : Marie-Pierre Tétreault, First Assistant Sound Editor : Victor Ray Ennis, Visual Effects Supervisor : Ian Hunter, Transportation Co-Captain : Spiro Tsovras, Location Manager : Kenneth E. Fix, Set Medic : Jean Marchand, Executive Producer : Kelly Van Horn, Sound Recordist : Dennis Rogers, Visual Effects Supervisor : Chris Watts, Original Music Composer : Harald Kloser, Assistant Art Director : Camille Parent, Sound Designer : Harry Cohen, Production Design : Barry Chusid, Art Direction : Gerald Sullivan, Musician : Maria Newman, Set Designer : Karl J. Martin, Transportation Coordinator : Daniel Matthews, Camera Operator : Gary L. Camp, 3D Animator : Jeremy F. Butler, Location Manager : Céline Daignault, Hairstylist : Kathryn Powell, Supervising Art Director : Claude Paré, Art Direction : Tom Reta, Makeup Effects : George Tucci, Digital Effects Supervisor : Bryan Grill, Casting : April Webster, Sound Designer : Alan Rankin, Still Photographer : Takashi Seida, Pre-Visualization Supervisor : Daniel Fort, Construction Coordinator : Bruce Di Valerio, Foley : Glenn T. Morgan, Executive Producer : Ute Emmerich, Software Engineer : Chamberlain Fong, Casting Assistant : Bryan Riley, Scenic Artist : Donald Beaulieu, Visual Effects Supervisor : Jerry Spivack, Visual Effects Supervisor : Colin Strause, CG Supervisor : David Prescott, Grip : Joost Clerinx, Electrician : Paul Postal, Utility Sound : Schavaria Reeves, Driver : Chris Haynes, Systems Administrators & Support : Joe Ardent, Sound Recordist : Jon S. Trebilcock, Visual Effects Supervisor : Karen E. Goulekas, Script Supervisor : Sophie Boyer, Visual Effects Producer : Casey Conroy
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Schlagwörter: saving the world, library, cataclysm, climate change, greenhouse effect, tornado, twister, hurricane, hail, temperature drop, ice age, polar zone, meteorology, gulfstream, barrier ice, ice melting, third world, exodus, evacuation, climate, government, snow, los angeles, scientist, doomsday, antarctic, disaster movie,
The Day After Tomorrow (2004) Beobachten Film
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